Your EXCITED, ENGAGED and ON A MISSION to find that special wedding shooter which will help you and your spouse remember and relive the day you said, “I do. inch. If this sounds a little like a match making idea then you’re right. Of all the vendors Honolulu photographers you will choose to help you make your big day fantastic, your shooter will spend the entire day with you. Think about it, your baker provides the cake and leave, your florist will hand everything over and leave, your wedding planner will check out you from time-to-time while there your shooter will be there recording every moment. Once you realize this and search for “wedding photography” or “wedding photographer” in Google and you’ll find yourself observing a list between 2 — 12 million results. You don’t have the time or the desire to even set out to click and read through all of them so here are ten questions to help you find your perfect wedding shooter.
- You can’t know what you want until guess what happens you want.
Because there is uniqueness in your love and passion with each other your wedding portraits should reflect that uniqueness. As a result, you need to realise and then articulate the style of photography that will best fit for you. To do so you need to ask yourself two questions:
a. What forms of movies do you and your fiancée like to watch and what types movies can you see yourself in? The movie(s) you choose will give you an idea for the over all feeling of the pictures it is likely you aim for. If you like family based movies then you are going to most likely want pictures that have an increased exposure of friends and family. On the other hand, if you enjoy romantic, action or high drama movies, then you might be interested in professional photographers who are able to produce dramatic photos that focus on you.
b. What magazines if you’d like to see yourself in? Every journal has a customer base market. And this is not by chance. Do you like the pictures from Style, GQ, Modern Bride, or W? Look over magazines and discover pictures that you would like to see yourself in and cut out those pictures for future reference.
- Searching for shooter on the web
Because there are so many websites just using the best keywords to find what you are looking for can be a daunting task so here are some tricks to make it a little easier. Use words that are specific to you concerning the type of wedding photography that you are looking for. In addition you will want to search under the words of your location engaged and getting married and/or where you would like to find your shooter. Here are some ideas:
[city] wedding photography
[city] wedding photographer(s)
wedding photographer(s) in [city] [state]
wedding photography in [city] [state]
These will give you a number of results to choose from. Each of these searches will give you a list of different professional photographers. You can also look at wedding advertising sites such as http: //www. atlantanbrides. com and [http://www.modernluxury.com/brides/atlanta]
These sites will give you more than enough leads to look over. Once you see a list, start to visit as many sites as you can but ONLY LOOK AT THE PHOTOS. Your goal is to find a shooter with photos that you can see yourself in and that you would be proud and excited to show your family and friends.
- The Photographers’ Website
The website is the wedding photographers personal gallery of their best work. The intention of visiting the website is to not only assess if you like the photographer’s style but also to get more aquatinted with the shooter too. Once you click the website then take some time to visit the “about us” or “bio” section of the website. Get to know the shooter a little bit. Once you do this ask yourself if this were someone you would befriend. You may want to make a list of professional photographers to compare them. However, no matter how good or bad the photos are, if you do not think that you would befriend the shooter then that shooter should most likely not be regarded. While checking out the museums and galleries begin to write down some notes as to what you like about the photos, if you can see yourself in those photos, and if you would refer others to the shooter. Don’t be bashful about your comments; be honest as you were looking at your own photos. If you are not impressed with the photos then quickly move on t i the next site. Never stay on a website any longer than you need to. **Remember to resist any provocation to look at prices or any unrelated categories like children portraiture and/or high school senior portraits while over the internet. You are on a mission so always remind yourself to stay on task. Once you determined which you like the photos over the internet then bookmark that website and move about the next one. You, Your best Friend, and your Nemesis Must i really trust my “gut feeling” on this important decision? I can only answer a resounding “YES. inch Our “gut feeling” is typically made up of knowledge, past experiences, and perception of future events based on your learned knowledge. Making a great decision is going to be a matter of research and personal experience. So spend some time and learn and see as much as you can so that when the time comes to make this important decision you will be excited and intensely confident that you made this decision.
4 — LOCATION, LOCATION, LOCATION
Believe it or not, its not all shooter can produce artistic portraits in a given venue. As a Bride, you need to be honest with yourself and with your shooter about your photographic expectations for that day. You must always remember that you are hiring a shooter for a specific reason, to capture individual moments from that day so that those memories will never be forgotten. A big part of every day will be the location and venue you choose for your celebration. You need to understand the venue’s photographic expectations and constraints. Here are some questions to ask your venue:
1) Does the venue allow flash photography?
2) Any kind of insurance requirements?
2) Any kind of time limits in a venue that the shooter should be aware of? (You can ask the seller this question and allow shooter know about this. )
3) Any kind of places at the venue that cannot be photographed? You need to understand your venue’s policies on pictures and where they can and cannot be taken.
4) Ask the venue if there is any situation that the shooter needs to know that you haven’t asked. (phrase this as a question as you did with the others. )
5) What was the worst encroachment of the venue’s photographic policies? (This will give you an idea of how serious they are about their policies and the most important thing to them. ) Be sure to bring up these answers with the shooter during your meeting.
HOW DO YOU GET THE BEST SHOOTER FOR YOU AND YOUR LOCATION?
Ask your vendor for personal recommendations and view the photographer’s website. Put those sites that are most consistent with your style in the list of your other potential professional photographers.
When viewing websites ask yourself: —
Does this shooter have that capacity to adjust to his surroundings? (Are there a variety of pictures from a variety of locations? )
Is the shooter creative enough to be able to take high quality portraits anywhere? (Is the shooter creative in posing? )
Is the overall personality of the website something which you like? (Would you be confident to recommend a friend to the same website to get their advice and their recommendations on photographers)
Quality professional wedding photographers know how to use their surroundings as a history for your romantic portraits. If you are going to have a candlestick light wedding then the shooter is going to have the equipment to correctly expose for that extremely low light setting. If you are engaged and getting married on the beach your shooter will need the apparatus and knowledge to ensure that the sun’s rays does not over power your beautiful dress and smile.
5 — Book Early, BOOK ASAP!!!!!
The key here is to make sure that you are happy and comfortable with your shooter. Due to want to choose and settle on a shooter because of time or pressure from the shooter, friends, or family. Give yourself some time and space. This is really up to you. You need to feel safe and secure with your decision. Once you are comfortable and sure about the decision then sign the contract and grow happy that that decision is out of the way.
6 — Calling or contacting your perspective Professional Shooter
Once you have a list of professional photographers then start calling! When you speak with your perspective shooter for the first time there are a few things you may want to keep in mind. Allow shooter know that you have seen their website and are impressed with what you have seen and you would like to ask a few pre-determined questions that were not covered over the internet. When you speak to a shooter you need to approach it as an interview. Remember, you are hiring a professional to do a job that cannot be repeated. There are no “do-overs” with wedding photos so try to get to know the shooter as well as possible.
Here are some things to bear in mind:
You should approach this call as an interview. It is really to find out what this shooter is about and decide if you would like to meet the shooter personally.
When the shooter answers the telephone how does he sound? Happy? Sad? Frustrated? Or glad to speak with you? Remember, you are calling the photographer’s business cell phone number. The shooter knows that you are calling for a business reason. [ There is no excuse for the photographer to answer any other than happy and glad to speak with you.]
Ask open-ended questions such as: what do you like about weddings, How long have you photographed weddings, what got you started in taking photos weddings.
Ask any questions that you can think of about their personality and wedding photography career.
Ask around date availability and the location of the wedding and reception.
How long has the shooter experienced business?
What does the shooter like best about taking photos weddings?
Are you a full-time or part-time shooter? (The function of this question is still just to see who this person is. )
THINGS TO CONSIDER: When you make the appointment allow shooter know where you live and times you are able to meet. Also find out what location where the shooter is coming from then ask the shooter where would be a good destination for a meet in between. You want to listen to see if the shooter is flexible enough to go out of his/her path for you. If the shooter can’t meet with you on the dates that you have given then the shooter should offer some suggestions that would help the you both After the interview, if you are happy and your feelings says yes, then set up an appointment.
WORD OF CAUTION: Professional Professional photographers make their living on providing photographic services and not talking over the phone. The shooter may have a “strong urge” to have you meet them personally. This is not bad! What is bad is how they urge you to make an appointment. The shooter should talk to you and help you produce the best photographic decision possible. Beware if the shooter is neglecting (tone or verbal) to answer questions and wants to quickly set up an appointment. However, if the shooter is open with you and will be offering you advice and questions about what you want then the shooter has recently decided that you are a good match for them and will want to set up an appointment with you. As always, if you feel comfortable then set up an appointment. Since there are more professional photographers than you could possibly meet in a year it is important to only set up appointments with 3-4 professional photographers. You may want to set aside four hours of time for each meeting. This takes into account travel there and back and speaking with the shooter. You can see then that if you are not careful you could end up making searching for a shooter your new full-time job.
7 — PACKAGES, COLLECTIONS, INVESTMENTS
So far we have spoken about the process of getting the best shooter for your wedding but haven’t even handled the main topic of what you are going to actually get at the end of the day. Some professional photographers call the contents of what you get packages, collections, an investment, or a commission to give you your big day pictures. Surprisingly most professional photographers offer the same contents as other pictures. The most important thing is getting what you would like to have for the future and not what you think you need now. You want an album because of the story that you want to show to your family members and your future grandchildren. Slide shows are nice because you can have music set to photos which will be heirlooms. Digital Disadvantages and Reprints: Some professional photographers will sell reprints right to you. This means that you will only get images of your big day (this is separate from your album) when you pay the shooter for them. These prices will change depending on the size of the images and how many you request. Other professional photographers will create a combination package in which you get a CD/DVD composed of an unlimited or limited number of photos. You may be able to reprint these photos on your own or you may be only able to view them on a computer and email them with no choice to make your own reprints. Pictures: Pictures, Pictures, and more Pictures! As the wedding industry grows, more and more companies are providing pictures so it is important to see a type of the album you are choosing. It is important to see the album model because two professional photographers might use similar names for pictures that in the end are not so similar.
Questions about the album you should ask:
1 — How many pages are in the album?
2 — What choices do i have about the album?
3 — An average of how many photos will fit in the album? Some professional photographers will offer other products but one mandatory thing that you want to consider is what you are looking for. Are you looking forward to using a plenty of images to give away and a large album to show your family and friends or trying to find something small like a day album? These are questions that you are going to have to consider considerately. Whatever your choice is, make sure that there is clear communication between you and your shooter.
8 — CONTRACTS: Who needs them?!
A friend laughed and said once that, inch contracts keeps friends friends and adversaries from killing each other. inch Because of the nature of the service you are requesting from the shooter it is incredibly important that you get anything that you agreed to on paper. Be sure that the type of album, amounts of pages, and the amount of time that you are requiring from you shooter is in writing. The reason that this is important happens because if something were to go wrong then it can be held up in court. Contracts keep people a little more honest than if you didn’t have one. Personally, I go over everything in the contract before the contract is signed. This way, everyone understands the proceedings and communication of what is expected is clear.
9 — SHOOTER THE JOB INTERVIEWER
The shooter should interview you the maximum amount of as you should be finding the shooter. As stated before, “not everyone is for everyone” applies here as well. The shooter should ask questions that identify your personality and the personality of your relationship with your fiancé. Which i ask questions such as:
1 — When did the both of you meet?
2 — How long did you date before you were engaged?
3 — What is the most important detail in your wedding that you are most excited about?
4 — Is the venue you have decided vital to you?
The shooter needs to ask questions that are going to tell a little bit about the couple and what’s important to them. If the shooter doesn’t know the most important thing to you then the shooter most likely will not photograph the most important thing to you. This most likely will result in you not being completely happy with your final product. In short, the shooter should have a good idea as to who the couple is and the most important thing to them.
10 — THE LAST QUESTION YOU SHOULD ASK YOURSELF.
What’s your gut feeling? Remember decisions that you make cannot be based on what you thought was true or what you anticipated will be true. The best answer you can make about the decision is based on the information that you have now. In short, consider your gut feeling, remember what you want out of the shooter and the style that the shooter produces, and have a great time choosing the shooter that will best photograph you.